BEST BARGAIN: Rokinon AF 45mm f/1.8 FE Lens for Sony E | Price: $399 Sony FE 35mm f/1.8 Lens ($748): The compact and lightweight Sony FE 35mm f/1.8 prime lens provide mobility and convenience for shooting a wide range of subjects from everyday snapshots, food photography, landscapes, night scenes and more. Fast autofocus is provided by a linear motor that maintains quick, quiet, and smooth performance. It just depends which is most of your shooting. Any price and availability information displayed on Shotkit at the time of purchase will apply to the purchase of this product. When shot wide open at high ISO, f/1.8 also allows enough light to enter your camera for you to use it in everything but the darkest situations. I will keep that as my centerpiece lens with an eye on the 100-400 GM fort my trip. Find out what each has to offer and pair your class-leading camera with an equally worthy lens. Its resolution sees a significant uptick at f/1.8 and continues to climb until f/4, where both the center and edges are exceptional. Your email address will not be published.
sigma 100-400 f5-6.3, First upgrade would be telephoto,, then faster ultra wide. It’s an incredible lens! BEST LOOK: Sony FE 35 F1.4 ZA Lens | Price: $1,598 Currently I am using Sony A7 iii with Tamron 28-75mm f2.8 and I am looking for a telephoto zoom lens to shoot for indoor sports with poor lighting. Sony a7R IV | Sony FE 16-35mm F2.8 GM | 1/160 | F/2.8 | ISO 100.
There’s 1.5 percent of pincushion distortion – high for an 85mm prime. Product prices and availability are accurate as of the date/time indicated and are subject to change. The sun can take center stage in your photos without introducing any artifacts or a hint of flaring! Voigtlander 40mm f/1.2 Nokton Aspherical and Voigtlander Macro APO-Lanthar 65mm f/2 Aspherical Lens are both on the upper range of ‘affordable’ but they’re worth every penny. The 24-105mm f/4 G OSS isn’t a portrait lens but can pull off fine-looking bokeh under the right circumstances. It’s equipped with both a Direct Drive SSM autofocus system as Optical SteadyShot image stabilization for outstanding performance at all focal lengths.
Here’s the lens many of you asked for – the Sony FE 35mm F1.8 prime lens. Sigma 35 1.2 In Low Light Conditions which of the Sony FE Telephoto Lenses are to Choose : for Pictures ? The f/2.8 is small, light and fun to use, while the f/1.4 has exquisite bokeh and is built like a tank. Focusing automatically is accurate but can be slow; using the focus limiter helps.
It’s an excellent lens for the uses you describe. Compatible with both full frame and APS-C format mirrorless E mount cameras. When it comes to zoom lenses this is what I suggest: Sony FE 12-24mm f/4 G (Amazon, B&H)Sony FE 16-35mm f/2.8 GM (Amazon, B&H)Sony FE 24-70mm f/2.8 GM (Amazon, B&H)Sony FE 70-200mm f/2.8 GM OSS (Amazon, B&H)Sony has the entire range covered, and the zooms and AF combine perfectly with the a7/a7 series of cameras. There’s a focus hold button between the knurled focus & zoom rings you can repurpose to a different custom setting. Are you a generalist looking for a single lens that handles most situations well? I wish Sony could have a 24-105mm F4 in FE as they have in E Mount (35mm equiv.) Both problems can also be addressed in post or by your camera if you’re shooting JPEGs. The focus ring is set towards the front and ribbed for optimum grip. Bokeh doesn’t suffer from nervousness, while circular highlights have soft edges and even illumination. Before Tamron’s 28-75mm f/2.8 Di III RXD came along, you could either go for the lackluster kit lens, a similarly-priced model with an f/4 aperture, or the top-tier solution that’s almost three times as expensive. It features moisture-resistant construction for use in harsh climates, along with a fluorine-coated front element.
As the Sony FE lens line-up rapidly grows, here’s a list of the BEST Fullframe E-mount lenses: BEST-IN-CLASS: Sony FE 12-24mm F2.8 G Master lens | Price: $2,998 BEST IN CLASS (TIE) Sony FE 50mm f/1.4 ZA Lens | Price: $1,498 16-35mm 2.8 GM BEST FOR SPEED: Sigma 28mm F1.4 DG HSM FE Art Lens | Price: $1,399 It’s among Sony’s more expensive offerings, but its reliable performance makes the investment worth it. ready to have your mind expanded by the possibilities and taste a bit of the future before everyone else. It does the job silently and about as quickly as those on f/1.4 primes from other manufacturers. Thank You Brian for your recommendation . I have: I plan to shoot fully manual. First off, I like your plan. The 90mm f/2.8 Macro G OSS is a silent performer and suitable for filming. BEST IN CLASS: Venus Optics Laowa 15mm f/2 FE Lens | Price: $849 I’m an one year beginner in photography. Sony FE 400mm F2.8 GM OSS is the lightest, sharpest and fastest focusing four-hundred-two-eight ever made thanks to ground-breaking lens design featuring a XD Linear focus motor! I´m goin to buy a Sony A7 III very soon. Sony 85mm f 1.8 for portrait and indoor sports. Are there anything that you can recommend me on what to do next? Check out the image above – there’s no Photoshopping required when the bokeh balls look this good! You also won’t be able to correct for it entirely in post, so step down to f/5.6 or f/8 if the lighting permits it. I would like something that I can use not only as a portrait setup but also for landscape and street and some other things as well. It features a double linear motor system for fast, quiet autofocus. 35mm 2.8 zeiss About to pull the trigger on this and having some second thoughts. Reason why iam mentioning the Sony FE 70-200mm f/2.8 GM OSS is for the Night Shots being a f/2.8 which is twice as much Light than the f/4.5 and for more reach would use a Sony FE 1.4X Teleconverter or a Sony FE 2x Teleconverter … which would bring me to 98-280 mm and 140-400mm … but im taking also of Fast Moving Objects at Distances of 10 kms away and above at Night as for Day … without loosing Sharpness and easy to Focus too … what do you think ?
Marrying traditional handling with a digitally-optimized design, the Zeiss Loxia 35mm f/2 Biogon T* Lens is a prime wide-angle lens for full-frame Sony E-mount mirrorless digital cameras.