This mainly happens when you are shooting in low light with a kit lens that has a f/3.5-5.6, because you will be shooting wide open, and after your zoom you will have lost over a full stop of light. I’m using a Canon 5D Mark III for video. Lens has been constructed by six elements in 5 groups. Required fields are marked *. I have a standard lens (18-55) and have been advised I should look into something else. You can use a stabilizer or some form of rig to correct that issue. YouTubing and video marketing are increasingly becoming one of the best mediums to connect with your audience. Carrying case, lens hood, front & rear caps. Ideal for portraits with background blur and indoor sports photography.

Sony’s long history of innovation and experience in both video and still image capture is a wellspring of increasingly important advantages for visual creators. It has a large-diameter element and a 4-group optical zoom system with aspherical lens element, enhanced lens coatings for high-contrast and UD lens element with high-resolution images with minimal glare and aberration.

If you’re buying a interchangeable lens camera, you can buy it with a kit zoom lens, or buy the body alone and choose lenses separately. It has an Ultra-low dispersion glass with Fluorite elements. Item Dimensions are 1.54 x 2.72 x 2.72 inches. One of the most popular accessories for iPhones and other smartphones is the Moment Lens range.

Special glass, coatings and sophisticated manufacturing combine to give you truly professional, creative tools. Available in Sony Alpha (dot), Canon EF (EF-S), and Nikon f (DX) mounts. F/2.8 is fabulous for low light photography. Here we are going to go through them, one by one, to have a look at what they promise and the results achieved. Without lens stabilization you will face some micro-jiggles when handheld. However, prime lenses are definetily the right choice when you shoot scenes that rarely or never change and espescially in low light situations (since there are fewer lenses that could absorb the incoming light). Stepping motor and a refined focus mechanism for smooth and continuous autofocus is provided for video recording and it is the best lens for DSLR filmmaking. Excellent optical quality is offered through advanced features like the WR front element and added features for best lens for DSLR filmmaking. Jordan Mendys lives and works out of the Triangle area of North Carolina. The lens is “parfocal" which means that it will stay in focus throughout the zoom’s travel, unlike many lenses where you have to re-focus every time the zoom changes. The lens also offers two UD glass elements that help minimize chromatic aberrations, giving your images outstanding sharpness and color. Contactless linear actuators with no noisy gears or couplings, for example, can achieve smooth, quiet, precise focus. This lens is made for DSLR video enthusiasts, cinematographers and videographers. A circular, 7-blade aperture helps ensure beautiful bokeh and the Image Stabilizer system provides almost four equivalent stops of shake correction.

A 9-blade rounded diaphragm creates a beautiful background blur. It has an ENG-style motor drive for zooming in with a motor, or you can remove that and handle the zoom “on the barrel” by hand (which is what we usually do). 11 inches is the minimum focusing distance throughout the entire zoom range and a magnification ratio of 1:5. Your email address will not be published. It looks like JavaScript is disabled in your browser. Featuring outstanding image quality along with the added benefits of follow focus compatibility and de-clicked apertures.