Diego Rivera was nearly 30 at the time and by at the zenith of his cubist phase, having already exhibited his works at three exhibitions. She was fortunate enough then to meet Anya Teixeira at the Club. Zetlin, La Rotonde Café, Paris (signed, 1916, 21.5 cm x 16.5 cm), 1916-1916 – Chaim Soutine (portrait, c.1916-17, canvas), 1917 – Nature morte à la bouteille (oil/canvas, 50 cm x 61 cm), 1917 – Self Portrait with Still Life (72 cm x 54 cm), 1918 – Nature morte aux deux orange (aquarelle/paper, 43 cm x 57 cm), 1927 – Adolescente, Portrait of a Young Girl (oil/panel, 6 cm x 38 cm), 1927 – Portrait de Marika (oil/panel, 40 cm x 32 cm), 1929 – Femme allongée (painting, 21 cm x 30 cm), 1930 – Femme nue, en buste (1930, oil, 55 cm x 46 cn), 1930 – Standing Nude (c. 1930, watercolour, 39 cm x 28.5 cm), 1930 – Deux amies (c. 1930, mine plomb, 44 cm x 63 cm), 1931 – Portrait de Monsieur Zamaron (1931, oil, 46.5 cm x 38 cm), 1931 – Bouquet de fleurs (1931, oil, 60 cm x 43 cm), 1931 – Still Life with Flowers and Fruits in a Basket (1931, oil/canvas, 80.5 cm x 60.5 cm), 1932 – Vase de fleurs des champs (1932, oil/canvas, 55 cm x 38.5 cm), 1932 – Composition de fleurs des champs (1932, oil, 55 cm x 38 cm), 1936 – Cagne (1936, oil/panel, 52 cm x 71 cm), 1938 – Vase de fleurs (1938, oil, 65 cm x 50 cm), 1939 – Le petit marin (1939, mine plomb, 62 cm x 47 cm), 1939 –Le matelot au café (1939, colour pencils/paper, 63 cm x 47 cm), 1939 –Reclining Nude (1939, watercolour, 23.5 cm x 32 cm), 1939-1942 –Nue allongée (1939–1942, watercolour, 23.5 cm x 32 cm), 1940 – Cagnes-sur-Mer (1940, mixed media, 28 cm x 38 cm), 1942 – Portrait of Marika with shawl (1942, watercolour/paper, 31 cm x 24.5 cm), 1942 – Frère et soeur (1942, ink, 27.5 cm x 21.5 cm), 1942 – Mère et ses deux enfants (1942, oil, 115 cm x 81 cm), 1942 – Two children (1942, oil/canvas, 35 cm x 24 cm), 1942 – Saint-Paul-de-Vence, bouquet à la colombe d’or (1942, oil, 92 cm x 65 cm), 1942 – Vase with Anemones (1942, oil/canvas, 72 cm x 58.5 cm), 1942 – Nude in a landscape (1942, oil/canvas, 55 cm x 42 cm), 1942 – Mother and Child (1942, oil/canvas, 141 x 81 cm), 1943 – Composition aux raisins et aux pommes (1943, oil, 54 cm x 48 cm), 1943 – Mère et enfants (1943, oil, 100 cm x 81 cm), 1943 – Belle Arménienne (1943, oil, 73 cm x 60 cm), 1943 – Two seated nudes (1943, watercolour, 53 cm x 40 cm), 1944 – Femme assise (1944, watercolour, gouache, 33 cm x 25 cm), 1944 – Vase of Tulips (1944, oil/canvas, 73 cm x 54 cm), 1945 – Portrait of Two girls (1945, Pencil and watercolour on paper laid on board, 64 cm х 95 cm), 1946 – Bouquet de Fleurs (signed, 1946, 37.5 cm x 31 cm), 1946 – Jeune femme au chapeau (1946, oil, 65 cm x 50 cm), 1946 – Landscape with Trees and Barrow (1946, oil/canvas/board, 48.9 cm x 73.6 cm), 1948 – Nature morte à la bouteille (c.1948, oil/canvas, 51 cm x 61 cm), 1953 – Nature morte au panier de raisins (1953, oil/board, 64 cm x 51 cm), 1953 – The Squirrel (1953, watercolour/pencil/paper, 46.5 cm x 56.3 cm), 1955 – Portrait of David, the artist's grandson, aged 6 (1955, signed, oil/canvas, 87 cm x 66 cm), 1956 – Untitled (1956, signed, drawing/watercolour, 25 cm x 35 cm), 1956 – Saint Benedict at prayer near Monte Cassino (1956, signed), 1956 – Still-life with fish and bottle (1956, mixed media on canvas, 57 cm х 44 cm), 1959-1966 – Cubist Still Life with Flowers (1959–66, oil/board, 100 cm x 60 cm), 1960 – Nature morte au violon (c.1960, signed, oil, 57.5 cm x 40.5 cm). Artist. 1962 – Homage to Friends from Montparnasse (c.1962, oil/canvas) featuring the images of (from top left to right): 1966 – Sleeping Girl in green (1966, oil/panel, 48.2 cm x 60.5 cm), 1966 – The Harbour. A comparison of their respective subsequent work, also of Marevna's paintings with those of Diego Rivera's later wife Frida Kahlo, suggests that Marevna never quite lost sight of him. Nevertheless, for a time, until his tragic death, she was to find a kindred spirit in Chaim Soutine. Papa vaut de l'or, Maman en vaut le triple.

Marevna was also known, depending on the preferred usage or transliteration, as Maria Marevna, Marie Marevna, Marie Vorobiev, Maria Vorobieva, Marie Vorobieff Marevna, Maria Marewna Worobiew, Marevna Vorobëv, Marevna Vorobyev, Marevna Vorobieva, Marevna Vorobev-Stebelska, Marevna Vorobyov-Stebelska, Maria Vorobyova-Stebelskaya, Maria Bronislawowna Worobjewa-Stebelskaja, Maria Bronislavovna, Maria Rozanowicz-Vorobieff, and Rosanovitch Marevna Vorobiev.